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Sarah Albisser
Sarah is interested in the discipline of simplicity. Over the past two years, she has been exploring a more minimal, surreal style as an extension of her other work. Sarah realised, is that it is easier to fill a space than to leave it empty, but both spaces are equally important and must be balanced carefully. By stripping away the unnecessary, presenting a scenario in a simple manner can give the audience space and greater freedom to create their own story.
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Artworks by Sarah Albisser
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Wired
See Artwork »Original Ink Drawing on Paper. Comes framed with UV Glass.
Wireheads! Sarah’s drawings have evolved from a long history of sketching; she calls it structured improvisation; a combination of uncontrolled and con- trolled chaos with some identifiable characteristics. They represent the energy of thinking and the subconscious mind in movement and in the moment.
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Splash
See Artwork »Acrylic painting on plywood box frame.
This painting is about being present and feeling fully alive. Sarah has always enjoyed watching the cliff divers. The training and discipline it takes is enormous. The adrenaline rush, excitement, fear and so many more feelings packed into just a few seconds. Having a past as a gymnast and dancer, Sarah feels like she can relate to the divers, there is some similarity.
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Adorn
See Artwork »Adorn Beauty Gin
This artwork is about the transformation of the beauty and power of the female presence. Once we feel united within and except who we really are, our natural beauty is able to shine and manifest. The image is set in motion and gives life as we keep changing and evolving to become our best self.
This is one of Sarah’s artworks which is now on a label of a Gin Bottle made by The National Distillery in Napier. The Gin has won the silver medal at the Australian Gin Awards in Sydney 2020, the bronze medal at the World Wine and Spirits competition in New York and the platinum award at the international SIP awards in NZ 2021.
Fine art Print /Open Edition. Each print has gold leaf added by hand.
